To address challenges in remote sound art curation, such as insufficient spatial auditory perception and limited flexibility in display control, our team developed Resonix, a VR-based prototype tool integrating features like a modular simulation toolkit, sound field spatial display, sound-time manager, and role manager. I was responsible for the initial prototype development and writing the Discussion and Conclusion sections of the paper. This work was later accepted at CHI LBW (a CCF-A conference), laying the foundation for future system iteration and scalability.

To address weak gesture interaction and insufficient cultural understanding in VR traditional culture games, I conducted in-depth interviews with practitioners and intangible cultural heritage (ICH) inheritors, along with a literature review and analysis. Based on these findings, I independently designed and developed a prototype interaction system featuring five VR gesture modes (movement, continuous movement, teleportation, single-hand following, and double-hand following) that incorporate ICH elements. The design solution was presented at the 2nd Virtual Reality Innovation Development Forum, and the system was later applied to the VR first-person combat game Exorcist, showcased at the UAL “2023 Game Collaboration Show.” I was responsible for developing the prototype, writing the technical proposal, and delivering the conference presentation.